
If you’ve read anything I’ve written here on the Omnia blog or in the recent issue of History News, you know that I’m interested in local history institutions, both historically and in the present. For one, I study local history groups, including historical societies, in the decades after World War II (the vast majority of local historical societies in existence today were founded in the second half of the 20th century). Specifically, I look at what the people founding these organizations hoped to achieve and why, what these groups have done since they formed, and their broader impact in their towns and neighborhoods. In the present, my professional work and interests involve working with local history groups to help them reach their fullest potential as vital community assets. In my work, one of the issues I see pop up again and again is the Question of The Collection. I proper-named this because almost every local history group I’ve worked with, encountered, or studied spends (or has spent in the past) a significant amount of their time thinking about or doing something with their collection of historical materials. They’ve grappled with how to build and maintain these collections and, when they’ve amassed enough documents and artifacts, how to put them to good use.
Historically, at their founding moments, local historical societies almost always centered their identity around their collections of historical materials and the need for a facility to house those materials. This isn’t limited to the post-WWII groups I study, either. It’s true of most local history groups founded in the U.S. over the past two centuries. Here are just two (of many) examples that demonstrate the centrality of collections in local history groups. Continue reading “Rethinking Collections at Local History Institutions, Part 1 of 2”

I’ll readily admit that I woke up earlier than is my usual habit this morning to watch the wedding of Meghan Markle and Prince Harry, now the Duchess and Duke of Sussex. Maybe it’s the historian in me, but I find the traditions that accompany royal events to be fascinating. Knowing that much of what’s involved in this affair descends from centuries—CENTURIES—of ritual gives me a little thrill. Watching the performance of these historical customs in real time is one of the ways we can access, even if it’s just in a small way, the experiences of people who came before, similar to how engaging with material culture and historic buildings can help us feel more connected to the past. Those things (often) existed before we did, and thus provide a bridge to ages and people we can’t ever know.




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